Mark T Smith’s artwork embraces the classic skills of drawing and painting with the balance of a modern mindset. The artist has a primary interest in the tactile experience of making beautiful expressions in the traditional forms of drawing, painting, printmaking and sculpture. Throughout his career, he has carefully sought out opportunities to display and apply artwork in a manner that will reach as many people as possible, while maintaining tight control on the quality and content of the artwork.
He has spent his career participating in a small but influential circle of galleries, art fairs and museums. Mark T. Smith believes that artwork’s primary function is to ennoble the public, which means it must be connected to and integrated into our daily lives. Without applications that create understanding and implant the desire to have the Arts as a permanent partner in our everyday experience of life, he feels Art will lose its purpose.
This presentation of his artwork is an overview from a variety of different series. The work manifests itself in diagrams, notes, maps, drawings and paintings. Many of the works selected for this website contains imagery about transitions and journeys. It is rare when we have the luxury of time or presence of mind to reflect on a journey prior to embarking on it, which much of Smith’s work examines — from the journey of self-discovery to the journey into the realm of religious archetype and insight.
Smith continues to develop his personal visual language, working in a dizzying array of two-dimensional media, including works on paper, canvas, found objects and wood. The artist also has an affinity for linoleum block printing and started working in sculptural media in 2008 .
His approach to the creation of work is traditional, starting with observation, then drawings, then revised drawings, works on paper and then on to larger works on canvas, linen and paper, then finally to three dimensional media.
“No matter how well an artist is integrated to the society at large, the artist cannot help but stand apart from the larger culture; it is simply the nature of the artist to observe and to see the world in a manner that others do not. For instance, the William Blake / Inferno series was an important subject matter for me at this time because of the subject’s flexibility in tackling cultural issues with a more universal tone. After spending a great deal of time in Washington DC and observing the ruling class of the United States in close proximity, it became apparent that the text of the Inferno would always ring true, for the sins of the past are the sins of the present and of the future. This series was also important for me as an artist because it allows a more direct comparison of my artwork to artwork created in the great time line of human visual expression. This will allow the viewer another access point to understanding the nature, context and content of my artwork.”
